Narrator: Will Damron, Saskia Maarleveld
Published by HarperCollins
Published on 14 March 2017
Genres: Fairy Tales, Folk Tales, Legends & Mythology, Fantasy & Magic, Historical, Love & Romance, Young Adult
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New York Times bestselling author Meagan Spooner spins a thoroughly thrilling Beauty and the Beast story for the modern age, expertly woven with spellbinding romance, intrigue, and suspense that readers won’t soon be able to forget.
Beauty knows the Beast's forest in her bones—and in her blood. After all, her father is the only hunter who’s ever come close to discovering its secrets. So when her father loses his fortune and moves Yeva and her sisters out of their comfortable home among the aristocracy and back to the outskirts of town, Yeva is secretly relieved. Out in the wilderness, there’s no pressure to make idle chatter with vapid baronessas . . . or to submit to marrying a wealthy gentleman. But Yeva’s father’s misfortune may have cost him his mind, and when he goes missing in the woods, Yeva sets her sights on one prey: the creature he’d been obsessively tracking just before his disappearance. The Beast.
Deaf to her sisters’ protests, Yeva hunts this strange creature back into his own territory—a cursed valley, a ruined castle, and a world of magical creatures that Yeva’s only heard about in fairy tales. A world that can bring her ruin, or salvation. Who will survive: the Beauty, or the Beast?
I originally received a copy of this book for review from Edelweiss, but I have listened to the audiobook for the purposes of this review.
Marketed as a retelling of Beauty and the Beast, which is only my favourite fairytale, no big deal, starring a girl in a cloak on the cover and with a title like that? I am SO in.
And as fairytale retellings go, it was really decent. We had a really long set up detailing our Beauty’s backstory and she didn’t even meet the Beast til at least 20% through, possibly longer. The third arm of this quasi-love triangle (Yeva is so NOT in love with him) is Solmir, a really nice, rich guy who genuinely wants a wife he can hunt with, and Yeva’s two sisters adore her, even if they are pretty useless at surviving on their own.
I felt like the book took a couple of things from the Disney adaptations, like Yeva’s father going crazy (everyone thinks Maurice is crazy in the Disney versions), and the castle being stuck in permanent winter, but it also introduced a couple of twists: Yeva’s goal is to kill the Beast, the Beast doesn’t know he needs to fall in love to break the curse, Yeva’s family lost everything and had to move away from their town (I kinda sorta think this might be part of the original story?) and there were a couple of other Russian-inspired things twisted into this like a story of Ivan and the Wolf (NOT Peter and the Wolf, that’s completely different).
I liked this retelling because of its twist on the original tale, and because of the general Slavik inspiration and mish-mash of cultures and traditions that made it something a little bit different to the more European-styled medieval fantasies I’m generally more used to. (similar to Moana, this retelling is not taking just one culture or people as its base, but rather selecting bits and pieces to suit.)
I did have some issues with it though, so here we go:
Look, I don’t know much about snow. It snows in my city maybe every 10 years or so, and we mostly get it every year on the top of a local mountain you can pretty easily access if you really want to, but I did live in England for 2 years, one of which had 4 months straight of snowfall, so I know it gets bloody cold when it’s snowing, and especially at night time… and yet Yeva camps outside, in nothing but regular wintertime wool and leather Medieval-style peasant-clothes, and is totally fine! I don’t even know if she had a blanket or a tent. I needed a bit more information than telling me in one sentence she made camp then moved on the next day. How did she not get frostbite or freeze to death?
It was set in real-world Russia, or at least somewhere Slavik, because some of the characters mention Kiev, the Mongols, and Constantinople. Yet about halfway through this novel Yeva can suddenly see all of these magical things with no real explanation. It’s not explained (I don’t think, I was listening to the audiobook but I did drift a few times) if it’s ONLY the Beast’s forest which is magic, but even if it is, it doesn’t explain all of the other fairy tales that it faintly suggests are based in the real world. Yeva’s village, for example, has no magic in it whatsoever, even when Yeva returns suddenly able to see magic. So I don’t know if it’s meant to be this almost Narnia portal-like fantasy where she steps into a magical world no one else can access, or more Harry Potter like where there is magic everywhere but muggles aren’t magic so they can’t see it (or it’s hidden from them).
Yeva is very clearly a special snowflake who is so perfect because she’s so beautiful AND self-sufficient, she hunts food for her sisters who are more traditionally domesticated than her, AND she’s really good at it, AND she doesn’t care about her looks (literally, I don’t think it’s ever mentioned how she feels about being beautiful or nicknamed Beauty), and she refuses a perfectly good marriage proposal from a handsome, kind suitor who will literally let her do anything she wants, for no real good reason except that she wants ‘more’. It’s not even a real sense of entitlement, it’s just a general longing, confirmed at the end of the book when it is revealed she’s just a restless soul. But my point is, her modern-day feminism is kind of thrown in your face. She doesn’t cook very well, but that doesn’t matter because that’s women’s work and she can do the important hunting part while her sisters can’t.
Overall it was a decent retelling, with enough original content to make it interesting, and just a couple of things I found a little frustrating.