Stacking The Shelves is a weekly meme hosted by Tynga’s Reviews and Reading Reality.
It’s all about sharing the books we’ve picked up for the week, whether they are bought, borrowed, gifted, galleys, physical or virtual.
Share your shelves and remember to visit Tynga’s Reviews where it all started to find more great books!
It was my birthday in August, and since I didn’t get a chance to do a Stacking the Shelves post last week, it’s a little late this week!
This book was from my husband.
Pax was only a kit when his family was killed and he was rescued by ‘his boy’, Peter. Now the country is at war and when his father enlists, Peter has no choice but to move in with his grandfather. Far worse than leaving home is the fact that he has to leave Pax behind. But before Peter spends even one night under his grandfather’s roof he sneaks out into the night, determined to find his beloved friend. This is the story of Peter, Pax, and their journeys back to each other as war rampages throughout the country
A young adult fiction anthology of 15 stories featuring contemporary, historical, and futuristic stories featuring witchy heroines who are diverse in race, class, sexuality, religion, geography, and era.
Are you a good witch or a bad witch?
Glinda the Good Witch. Elphaba the Wicked Witch. Willow. Sabrina. Gemma Doyle. The Mayfair Witches. Ursula the Sea Witch. Morgan le Fey. The three weird sisters from Macbeth.
History tells us women accused of witchcraft were often outsiders: educated, independent, unmarried, unwilling to fall in line with traditional societal expectations.
Bold. Powerful. Rebellious.
A bruja’s traditional love spell has unexpected results. A witch’s healing hands begin to take life instead of giving it when she ignores her attraction to a fellow witch. In a terrifying future, women are captured by a cabal of men crying witchcraft and the one true witch among them must fight to free them all. In a desolate past, three orphaned sisters prophesize for a murderous king. Somewhere in the present, a teen girl just wants to kiss a boy without causing a hurricane.
From good witches to bad witches, to witches who are a bit of both, this is an anthology of diverse witchy tales from a collection of diverse, feminist authors. The collective strength of women working together—magically or mundanely–has long frightened society, to the point that women’s rights are challenged, legislated against, and denied all over the world. Toil & Trouble delves deep into the truly diverse mythology of witchcraft from many cultures and feminist points of view, to create modern and unique tales of witchery that have yet to be explored.
Super excited to read this! I love stories about strong women finding their power. Borrowed from my local library, ebook-style.
In a world where every word and gesture is copyrighted, patented or trademarked, one girl elects to remain silent rather than pay to speak, and her defiant and unexpected silence threatens to unravel the very fabric of society.
Speth Jime is anxious to deliver her Last Day speech and celebrate her transition into adulthood. The moment she turns fifteen, Speth must pay for every word she speaks (“Sorry” is a flat ten dollars and a legal admission of guilt), for every nod ($0.99/sec), for every scream ($0.99/sec) and even every gesture of affection. She’s been raised to know the consequences of falling into debt, and can’t begin to imagine the pain of having her eyes shocked for speaking words that she’s unable to afford.
But when Speth’s friend Beecher commits suicide rather than work off his family’s crippling debt, she can’t express her shock and dismay without breaking her Last Day contract and sending her family into Collection. Backed into a corner, Speth finds a loophole: rather than read her speech–rather than say anything at all–she closes her mouth and vows never to speak again. Speth’s unexpected defiance of tradition sparks a media frenzy, inspiring others to follow in her footsteps, and threatens to destroy her, her family and the entire city around them.
I haven’t been able to stop thinking about this book, so I was thrilled when it showed up on my library catalogue.
Thanks to HarperCollins Australia and Netgalley for providing me with a copy of this book for review!
A time travel murder mystery from a brilliantly original new voice. Perfect for readers of Naomi Alderman’s The Power and Emily St John Mandel’s Station Eleven.
Four female scientists invent a time travel machine. They are on the cusp of fame: the pioneers who opened the world to new possibilities. But then one of them suffers a breakdown and puts the whole project in peril…
Ruby knows her beloved Granny Bee was a pioneer, but they never talk about the past. Though time travel is now big business, Bee has never been part of it. Then they receive a message from the future – a newspaper clipping reporting the mysterious death of an elderly lady…
When Odette discovered the body she went into shock. Blood everywhere, bullet wounds, that strong reek of sulphur. But when the inquest fails to find any answers, she is frustrated. Who is this dead woman that haunts her dreams? And why is everyone determined to cover up her murder?
This book was so not on my radar, and I don’t even think it’s YA, but I saw my friend Figgy make a few comments over on Goodreads, and I instantly thought how awesome this sounded. Luckily I was auto-approved on Netgalley!
Thanks to Scholastic Australia for providing this book for review!
Sebastian is at a university open day with his best friend Tolly when he meets a girl. Her name is Frida, and shes edgy, caustic and funny. She’s also a storyteller, but the stories she tells about herself don’t ring true, and as their surprising and eventful day together unfolds, Sebastian struggles to sort the fact from the fiction.
But how much can he expect Frida to share in just one day? And how much of his own self and his own secrets will he be willing to reveal in return?
It’s no secret that I don’t normally read male protagonists and I almost always choose to read books by female authors over male authors but this contemporary YA sounds like the kind of novel I love – the sort that is so real it tears your heart out – so I’m pretty excited to have received this from Scholastic Australia. Thank you!